{"id":1303,"date":"2013-05-01T20:59:46","date_gmt":"2013-05-01T18:59:46","guid":{"rendered":"http:\/\/comgraph.hear.fr\/?p=1303"},"modified":"2013-06-10T16:40:35","modified_gmt":"2013-06-10T14:40:35","slug":"typographie-et-design-editorial-un-specimen-typographique","status":"publish","type":"post","link":"https:\/\/comgraph.hear.fr\/surkrut\/2013\/05\/typographie-et-design-editorial-un-specimen-typographique\/","title":{"rendered":"Typographie et design \u00e9ditorial, un sp\u00e9cimen typographique"},"content":{"rendered":"

Pour ce sujet les \u00e9tudiants de 4e ann\u00e9e \u00e9taient invit\u00e9s, \u00e0 partir d’une s\u00e9lection de caract\u00e8res impos\u00e9s, \u00e0 r\u00e9inventer le format du sp\u00e9cimen typographique, objet \u00e9ditorial pr\u00e9sentant un caract\u00e8re typographique et destin\u00e9 la plupart du temps \u00e0 le promouvoir commercialement.
\n\u00c0 travers leur sp\u00e9cimen \u00absubjectif\u00bb, et apr\u00e8s une courte recherche historique, les \u00e9tudiants ont mis en pages et en images un ou plusieurs aspects sp\u00e9cifiques au caract\u00e8re li\u00e9s tant\u00f4t \u00e0 son cr\u00e9ateur, tant\u00f4t \u00e0 son contexte de cr\u00e9ation ou \u00e0 ses domaines d’application.<\/p>\n

Un specimen du Baskerville<\/em>, L\u00e9opoldine Charon<\/strong><\/p>\n

Le Baskerville a \u00e9t\u00e9 cr\u00e9\u00e9 par John Baskerville en 1756. Ce sp\u00e9cimen pr\u00e9sente le caract\u00e8re en reprenant des extraits du Chien des Baskerville<\/em> de Sir Arthur Conan Doyle (qui nomma son roman en hommage au typographe), ainsi que des images de son adaptation cin\u00e9matographique de 1939. Prenant la forme d’une sorte de journal, Il joue sur la re-cr\u00e9ation de l’espace du livre de poche et de l’atmosph\u00e8re de l’enqu\u00eate polici\u00e8re.<\/p>\n\n\t\t

\n\t\t\t
<\/a><\/div><\/a><\/a><\/a><\/a><\/a>\n\t\t\t\n\t\t\t\t
\n\t\t\t\tAfficher la gallerie (6 images)\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n
<\/div>\n\n

 <\/p>\n

 <\/p>\n

Neeeeeeeeeeeeutralit\u00e9<\/em>, Alban Leven<\/strong><\/p>\n

Ce sp\u00e9cimen et son court film d\u00e9riv\u00e9 mettent en sc\u00e8ne la notion de neutralit\u00e9 \u00e9voqu\u00e9e par le caract\u00e8re Akzidenz Grotesk dessin\u00e9 par la fonderie Hermann Berthold AG en 1896.<\/p>\n\n\t\t

\n\t\t\t
<\/a><\/div><\/a>\n\t\t\t\n\t\t\t\t
\n\t\t\t\tAfficher la gallerie (2 images)\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n
<\/div>\n\n

leeeeeeeeeeee film<\/a><\/p>\n

 <\/p>\n

Courier New, De la machine \u00e0 \u00e9crire \u00e0 l’art ASCII<\/em>, C\u00e9line Kriebs
\n<\/em><\/strong><\/p>\n

Le dessin du Courier New cr\u00e9\u00e9 par Adrian Frutiger en 1990 est bas\u00e9 sur celui du Courier cr\u00e9\u00e9 par Howard Kettler en 1956. Ce sp\u00e9cimen pr\u00e9sente l’histoire du Courier New illustr\u00e9 en Art ASCII, uniquement r\u00e9alis\u00e9 en caract\u00e8res contenus dans le code ASCII.<\/p>\n\n\t\t

\n\t\t\t
<\/a><\/div><\/a><\/a><\/a><\/a><\/a>\n\t\t\t\n\t\t\t\t
\n\t\t\t\tAfficher la gallerie (6 images)\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n
<\/div>\n\n

 <\/p>\n

Aux bords de la page<\/em>,\u00a0Marisol Godard
\n<\/strong><\/strong><\/em><\/strong><\/strong>Un specimen d’espace<\/p>\n

La Franklin Gothic, cr\u00e9\u00e9e en 1902 par Morris Fuller Benton, est un caract\u00e8re utilis\u00e9 fr\u00e9quemment dans les installations typographiques de l’artiste conceptuel Lawrence\u00a0Weiner. En r\u00e9f\u00e9rence \u00e0 son travail sur le langage, l’\u00e9nonc\u00e9, l’espace du mus\u00e9e et l’espace urbain cette \u00e9dition propose une illustration de l’\u0153uvre de Georges Perec Esp\u00e8ce\u00a0d’Espaces<\/em> \u00e0 la mani\u00e8re de l’artiste. Il est donc question ici de l’espace du livre, de la page, du mot et de la lettre sur la feuille blanche.<\/p>\n\n\t\t

\n\t\t\t
<\/a><\/div><\/a><\/a><\/a><\/a><\/a>\n\t\t\t\n\t\t\t\t
\n\t\t\t\tAfficher la gallerie (6 images)\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n
<\/div>\n\n

 <\/p>\n

Bodoni, Valentin Robinet<\/strong>
\n<\/strong>
\n<\/strong>Ce sp\u00e9cimen de poche interroge les rapports d’\u00e9chelle et de corps de texte. Chaque page, pr\u00e9sentant un corps du caract\u00e8re par ordre croissant est un zoom sur le texte introductif du Manuel typographique<\/em> publi\u00e9 par Margherita dall’Aglio en 1818 apr\u00e8s la mort de son mari, Giambatista Bodoni cr\u00e9ateur du caract\u00e8re \u00e9ponyme.<\/p>\n\n\t\t

\n\t\t\t
<\/a><\/div><\/a><\/a><\/a><\/a><\/a>\n\t\t\t\n\t\t\t\t
\n\t\t\t\tAfficher la gallerie (6 images)\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n
<\/div>\n\n

 <\/p>\n

Un sp\u00e9cimen sur l’Optima<\/strong><\/em>, Charlotte Parisse<\/strong><\/p>\n

L’Optima fut utilis\u00e9e par son cr\u00e9ateur, Hermann Zapf, pour son faire part de mariage avec Gudrun von Hesse. Le sp\u00e9cimen se compose d’une variation de parodies de faire-parts de mariage \u00abkitsch\u00bb. Sur chaque double mettant en sc\u00e8ne une photographie d’\u00e9poque, les faire-part ins\u00e9r\u00e9s \u00e0 la mani\u00e8re d’un album de mariage, peuvent \u00eatre retir\u00e9s pour laisser appara\u00eetre une partie de l’image.<\/p>\n

 <\/p>\n\n\t\t

\n\t\t\t
<\/a><\/div><\/div>\n
<\/div>\n\n","protected":false},"excerpt":{"rendered":"

Pour ce sujet les \u00e9tudiants de 4e ann\u00e9e \u00e9taient invit\u00e9s, \u00e0 partir d’une s\u00e9lection de caract\u00e8res impos\u00e9s, \u00e0 r\u00e9inventer le format du sp\u00e9cimen typographique, objet \u00e9ditorial pr\u00e9sentant un caract\u00e8re typographique et destin\u00e9 la plupart du temps \u00e0 le promouvoir commercialement. \u00c0 travers leur sp\u00e9cimen \u00absubjectif\u00bb, et apr\u00e8s une courte recherche historique, les \u00e9tudiants ont mis […]<\/p>\n","protected":false},"author":41,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[149,70],"tags":[80,198,107,83],"yoast_head":"\nTypographie et design \u00e9ditorial, un sp\u00e9cimen typographique - S\u00fcrkr\u00fct<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/comgraph.hear.fr\/surkrut\/2013\/05\/typographie-et-design-editorial-un-specimen-typographique\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Typographie et design \u00e9ditorial, un sp\u00e9cimen typographique - S\u00fcrkr\u00fct\" \/>\n<meta property=\"og:description\" content=\"Pour ce sujet les \u00e9tudiants de 4e ann\u00e9e \u00e9taient invit\u00e9s, \u00e0 partir d’une s\u00e9lection de caract\u00e8res impos\u00e9s, \u00e0 r\u00e9inventer le format du sp\u00e9cimen typographique, objet \u00e9ditorial pr\u00e9sentant un caract\u00e8re typographique et destin\u00e9 la plupart du temps \u00e0 le promouvoir commercialement. \u00c0 travers leur sp\u00e9cimen \u00absubjectif\u00bb, et apr\u00e8s une courte recherche historique, les \u00e9tudiants ont mis […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/comgraph.hear.fr\/surkrut\/2013\/05\/typographie-et-design-editorial-un-specimen-typographique\/\" \/>\n<meta property=\"og:site_name\" content=\"S\u00fcrkr\u00fct\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/surkrut\" \/>\n<meta property=\"article:published_time\" content=\"2013-05-01T18:59:46+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2013-06-10T14:40:35+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/comgraph.hear.fr\/surkrut\/wp-content\/uploads\/2013\/02\/IMG_0790-1024x682.jpg\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Yohanna My Nguyen\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/comgraph.hear.fr\/surkrut\/#website\",\"url\":\"https:\/\/comgraph.hear.fr\/surkrut\/\",\"name\":\"S\u00fcrkr\u00fct\",\"description\":\"Blog de l\u2019atelier de Communication graphique de la HEAR\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/comgraph.hear.fr\/surkrut\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/comgraph.hear.fr\/surkrut\/2013\/05\/typographie-et-design-editorial-un-specimen-typographique\/#webpage\",\"url\":\"https:\/\/comgraph.hear.fr\/surkrut\/2013\/05\/typographie-et-design-editorial-un-specimen-typographique\/\",\"name\":\"Typographie et design \u00e9ditorial, un sp\u00e9cimen typographique - S\u00fcrkr\u00fct\",\"isPartOf\":{\"@id\":\"https:\/\/comgraph.hear.fr\/surkrut\/#website\"},\"datePublished\":\"2013-05-01T18:59:46+00:00\",\"dateModified\":\"2013-06-10T14:40:35+00:00\",\"author\":{\"@id\":\"https:\/\/comgraph.hear.fr\/surkrut\/#\/schema\/person\/6eed8ad5a754a08ba3ab7ed12cc4dcbb\"},\"breadcrumb\":{\"@id\":\"https:\/\/comgraph.hear.fr\/surkrut\/2013\/05\/typographie-et-design-editorial-un-specimen-typographique\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/comgraph.hear.fr\/surkrut\/2013\/05\/typographie-et-design-editorial-un-specimen-typographique\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/comgraph.hear.fr\/surkrut\/2013\/05\/typographie-et-design-editorial-un-specimen-typographique\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/comgraph.hear.fr\/surkrut\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Typographie et design \u00e9ditorial, un sp\u00e9cimen typographique\"}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/comgraph.hear.fr\/surkrut\/#\/schema\/person\/6eed8ad5a754a08ba3ab7ed12cc4dcbb\",\"name\":\"Yohanna My Nguyen\",\"url\":\"https:\/\/comgraph.hear.fr\/surkrut\/author\/yohanna-my\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Typographie et design \u00e9ditorial, un sp\u00e9cimen typographique - S\u00fcrkr\u00fct","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/comgraph.hear.fr\/surkrut\/2013\/05\/typographie-et-design-editorial-un-specimen-typographique\/","og_locale":"fr_FR","og_type":"article","og_title":"Typographie et design \u00e9ditorial, un sp\u00e9cimen typographique - S\u00fcrkr\u00fct","og_description":"Pour ce sujet les \u00e9tudiants de 4e ann\u00e9e \u00e9taient invit\u00e9s, \u00e0 partir d’une s\u00e9lection de caract\u00e8res impos\u00e9s, \u00e0 r\u00e9inventer le format du sp\u00e9cimen typographique, objet \u00e9ditorial pr\u00e9sentant un caract\u00e8re typographique et destin\u00e9 la plupart du temps \u00e0 le promouvoir commercialement. \u00c0 travers leur sp\u00e9cimen \u00absubjectif\u00bb, et apr\u00e8s une courte recherche historique, les \u00e9tudiants ont mis […]","og_url":"https:\/\/comgraph.hear.fr\/surkrut\/2013\/05\/typographie-et-design-editorial-un-specimen-typographique\/","og_site_name":"S\u00fcrkr\u00fct","article_publisher":"https:\/\/www.facebook.com\/surkrut","article_published_time":"2013-05-01T18:59:46+00:00","article_modified_time":"2013-06-10T14:40:35+00:00","og_image":[{"url":"https:\/\/comgraph.hear.fr\/surkrut\/wp-content\/uploads\/2013\/02\/IMG_0790-1024x682.jpg"}],"twitter_misc":{"\u00c9crit par":"Yohanna My Nguyen","Dur\u00e9e de lecture estim\u00e9e":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebSite","@id":"https:\/\/comgraph.hear.fr\/surkrut\/#website","url":"https:\/\/comgraph.hear.fr\/surkrut\/","name":"S\u00fcrkr\u00fct","description":"Blog de l\u2019atelier de Communication graphique de la HEAR","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/comgraph.hear.fr\/surkrut\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"fr-FR"},{"@type":"WebPage","@id":"https:\/\/comgraph.hear.fr\/surkrut\/2013\/05\/typographie-et-design-editorial-un-specimen-typographique\/#webpage","url":"https:\/\/comgraph.hear.fr\/surkrut\/2013\/05\/typographie-et-design-editorial-un-specimen-typographique\/","name":"Typographie et design \u00e9ditorial, un sp\u00e9cimen typographique - S\u00fcrkr\u00fct","isPartOf":{"@id":"https:\/\/comgraph.hear.fr\/surkrut\/#website"},"datePublished":"2013-05-01T18:59:46+00:00","dateModified":"2013-06-10T14:40:35+00:00","author":{"@id":"https:\/\/comgraph.hear.fr\/surkrut\/#\/schema\/person\/6eed8ad5a754a08ba3ab7ed12cc4dcbb"},"breadcrumb":{"@id":"https:\/\/comgraph.hear.fr\/surkrut\/2013\/05\/typographie-et-design-editorial-un-specimen-typographique\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/comgraph.hear.fr\/surkrut\/2013\/05\/typographie-et-design-editorial-un-specimen-typographique\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/comgraph.hear.fr\/surkrut\/2013\/05\/typographie-et-design-editorial-un-specimen-typographique\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/comgraph.hear.fr\/surkrut\/"},{"@type":"ListItem","position":2,"name":"Typographie et design \u00e9ditorial, un sp\u00e9cimen typographique"}]},{"@type":"Person","@id":"https:\/\/comgraph.hear.fr\/surkrut\/#\/schema\/person\/6eed8ad5a754a08ba3ab7ed12cc4dcbb","name":"Yohanna My Nguyen","url":"https:\/\/comgraph.hear.fr\/surkrut\/author\/yohanna-my\/"}]}},"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p6Zg4g-l1","_links":{"self":[{"href":"https:\/\/comgraph.hear.fr\/surkrut\/wp-json\/wp\/v2\/posts\/1303"}],"collection":[{"href":"https:\/\/comgraph.hear.fr\/surkrut\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/comgraph.hear.fr\/surkrut\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/comgraph.hear.fr\/surkrut\/wp-json\/wp\/v2\/users\/41"}],"replies":[{"embeddable":true,"href":"https:\/\/comgraph.hear.fr\/surkrut\/wp-json\/wp\/v2\/comments?post=1303"}],"version-history":[{"count":0,"href":"https:\/\/comgraph.hear.fr\/surkrut\/wp-json\/wp\/v2\/posts\/1303\/revisions"}],"wp:attachment":[{"href":"https:\/\/comgraph.hear.fr\/surkrut\/wp-json\/wp\/v2\/media?parent=1303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/comgraph.hear.fr\/surkrut\/wp-json\/wp\/v2\/categories?post=1303"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/comgraph.hear.fr\/surkrut\/wp-json\/wp\/v2\/tags?post=1303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}