{"id":2110,"date":"2013-04-11T13:31:12","date_gmt":"2013-04-11T11:31:12","guid":{"rendered":"http:\/\/comgraph.hear.fr\/?p=2110"},"modified":"2013-04-11T13:34:58","modified_gmt":"2013-04-11T11:34:58","slug":"conference-daniel-eatock","status":"publish","type":"post","link":"https:\/\/comgraph.hear.fr\/surkrut\/2013\/04\/conference-daniel-eatock\/","title":{"rendered":"Conf\u00e9rence de Daniel Eatock"},"content":{"rendered":"

Sa conf\u00e9rence commen\u00e7a par un aveu, celui de ne pas \u00eatre \u00e0 l\u2019aise, d\u2019avoir besoin de temps avant de commencer. Pour se faire, il fit passer un appareil photo et demanda \u00e0 chacun de prendre en photo son voisin l\u2019un apr\u00e8s l\u2019autre. Le photographi\u00e9 devenant le photographe, cr\u00e9ant ainsi une boucle partant de Daniel Eatock et revenant vers lui. Circulaire est bien le mot qui pourrait caract\u00e9riser l\u2019organisation de cette conf\u00e9rence. Totalement \u00e0 l\u2019image de son processus cr\u00e9atif, cette conf\u00e9rence aborde via soixante photos, repr\u00e9sentatives de quelques grands th\u00e8mes de son parcours artistique complexe, efficace et prolifique. Dispos\u00e9es en cercle sur un immense document Indesign, elles composaient une heure de conf\u00e9rence soit une minute par photo. Une sorte de powerpoint low tech<\/em> gr\u00e2ce auquel l\u2019artiste engloba les th\u00e8mes majeurs de son travail de directeur artistique et artiste-plasticien.<\/p>\n

\u00ab I seek alignments, paradoxes, chance circumstance, loops, impossibilities and wit encountered in everyday life. I often change my mind, go full circle, and arrive at the beginning. \u00bb<\/p><\/blockquote>\n

\"oneHourCircle\"<\/a><\/p>\n

Le c<\/b>ercle
\n<\/b>One Houre Circle<\/i> est un cercle r\u00e9alis\u00e9 par douze personnes en une heure chaque personne dessinant une partie pendant 5min. C\u2019est un projet r\u00e9alis\u00e9 avec des \u00e9tudiants de l\u2019Oslo National Academy of the Arts et The Oslo School of Architecture and Design. Ce travail se d\u00e9cline au travers de diff\u00e9rentes dur\u00e9es, une minute, une seconde etc.<\/p>\n

\"SwitchedOffEatock\"<\/a><\/p>\n

La fin et le commencement
\n<\/b>Une partie du travail de Daniel Eatock interroge l\u2019intervalle entre deux \u00e9tats, deux instants. Switched Off Photographs<\/i> illustre cette pens\u00e9e. Le photographe doit \u00e9teindre sa lampe en m\u00eame temps qu\u2019il enclenche l\u2019obturateur de son appareil. Cette lampe n\u2019est donc ni tout \u00e0 fait \u00e9teinte ni tout \u00e0 fait allum\u00e9e.<\/p>\n

\"301_monday\"<\/a><\/p>\n

Best Before October 26, 2008 <\/i>aborde le m\u00eame questionnement mettant en sc\u00e8ne des aliments se p\u00e9rimant au m\u00eame instant. Deux photos sont prises, l\u2019une une seconde avant l\u2019autre une seconde apr\u00e8s la p\u00e9remption.<\/p>\n

\"eatockhandsup\"<\/a> \"eatockhands\"<\/a><\/p>\n

Le sens des images<\/b>
\n<\/b>Hands<\/i> met en avant l\u2019importance du sens d\u2019une image. D\u2019une part, les mains donnent, de l\u2019autre elles r\u00e9clament.<\/p>\n

\"shelf\"<\/a>\"scissor\"<\/a><\/p>\n

Le paradoxe
\n<\/b>Une \u00e9tag\u00e8re qui est support\u00e9e par les objets qu\u2019elle porte et perd son utilit\u00e9 et devient un objet absurde. De m\u00eame que cette boite de ciseaux n\u00e9cessitant des ciseaux pour ouvrir. On voit bien que le travail artistique de l\u2019artistique est fond\u00e9 sur une mise en ab\u00eeme de l\u2019objet et de sa fonction.<\/p>\n

\"212_inturn-poster\"<\/a><\/p>\n

Daniel Eatock a \u00e9tudi\u00e9 au Royal College of Art et a ensuite travaill\u00e9 dans l\u2019\u00e9quipe du design du Walker Art Center \u00e0 Minneapolis pour enfin retourner \u00e0 Londres et travailler pour des clients tels que la Serpentine Gallery ou Channel 4 Television. Inturn Poster<\/i> est un poster rotatif fix\u00e9 avec une punaise en son centre, ainsi faut-il tourner le poster pour lire l\u2019int\u00e9gralit\u00e9 des informations.<\/p>\n

Eatock est un \u201cpo\u00e8te\u201d qui manie le langage visuel proche d\u2019un id\u00e9al mallarm\u00e9en de suggestion.
\nSes assemblages d\u2019objets du quotidien produisent un sens nouveau et d\u00e9gagent une certaine \u00e9tranget\u00e9. L\u2019objet ainsi d\u00e9tourn\u00e9, retourn\u00e9 \u201cinside\/out\u201d, mis en ab\u00eeme, \u201cr\u00e9sonne de l\u2019int\u00e9rieur\u201d et se d\u00e9tache du mot qui lui est rattach\u00e9 , se dernier perd son pouvoir de nomination pour laisser place \u00e0 une nouvelle image.<\/p>\n","protected":false},"excerpt":{"rendered":"

Sa conf\u00e9rence commen\u00e7a par un aveu, celui de ne pas \u00eatre \u00e0 l\u2019aise, d\u2019avoir besoin de temps avant de commencer. Pour se faire, il fit passer un appareil photo et demanda \u00e0 chacun de prendre en photo son voisin l\u2019un apr\u00e8s l\u2019autre. Le photographi\u00e9 devenant le photographe, cr\u00e9ant ainsi une boucle partant de Daniel Eatock […]<\/p>\n","protected":false},"author":55,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[69],"tags":[],"yoast_head":"\nConf\u00e9rence de Daniel Eatock - S\u00fcrkr\u00fct<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/comgraph.hear.fr\/surkrut\/2013\/04\/conference-daniel-eatock\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Conf\u00e9rence de Daniel Eatock - S\u00fcrkr\u00fct\" \/>\n<meta property=\"og:description\" content=\"Sa conf\u00e9rence commen\u00e7a par un aveu, celui de ne pas \u00eatre \u00e0 l\u2019aise, d\u2019avoir besoin de temps avant de commencer. Pour se faire, il fit passer un appareil photo et demanda \u00e0 chacun de prendre en photo son voisin l\u2019un apr\u00e8s l\u2019autre. 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