{"id":2354,"date":"2013-05-11T18:04:15","date_gmt":"2013-05-11T16:04:15","guid":{"rendered":"http:\/\/comgraph.hear.fr\/?p=2354"},"modified":"2013-05-14T22:46:40","modified_gmt":"2013-05-14T20:46:40","slug":"daniel-eatock-exposition-individuelle-de-groupe-one-hundred-and-forty-thousand-and-four-hundred-seconds-26-m2-title-_________-echo-105-x-148-mm-danieleatock-com-no-smoking-tha","status":"publish","type":"post","link":"https:\/\/comgraph.hear.fr\/surkrut\/2013\/05\/daniel-eatock-exposition-individuelle-de-groupe-one-hundred-and-forty-thousand-and-four-hundred-seconds-26-m2-title-_________-echo-105-x-148-mm-danieleatock-com-no-smoking-tha\/","title":{"rendered":"Daniel Eatock, exposition individuelle de groupe : \u201cOne Hundred and Forty Thousand and Four Hundred Seconds \/ 26 m2 \/ Title: _________ \/ Echo \/ 105 x 148 mm \/ daniel@eatock.com \/ NO SMOKING (thank you) \/ Once Upon a Time\u2026 \/ Actual Size \/ Utilitarian Poster Falling\u201d, avec Caroline Bluche, Margot Cannizzo, Louison Coulom, L\u00e9opoldine Charon, Mikl\u00f3s Ferencz, Marisol Godard, Alban Leven, Charlotte Parisse, Pedro Seromenho, Elsa Varin, Florian Veltman"},"content":{"rendered":"
\"timbre-caoutchouc\"<\/a>

Daniel Eatock, Timbre en caoutchouc, 2013. Production : Haute \u00e9cole des arts du Rhin.<\/p><\/div>\n

L’artiste britannique Daniel Eatock<\/a> a \u00e9t\u00e9 invit\u00e9 par l’atelier de Communication graphique pour une r\u00e9sidence qui a donn\u00e9 lieu \u00e0 une conf\u00e9rence \/ performance le 21 mars<\/a>, et se conclura par une exposition \u2013\u00a0la premi\u00e8re pr\u00e9sentation monographique de son travail en France \u2013, du 17 mai au 6 juin 2013 \u00e0 la Chaufferie, galerie de l’\u00e9cole.<\/p>\n

Bas\u00e9 \u00e0 Londres, Daniel Eatock (n\u00e9 en 1975), dipl\u00f4m\u00e9 du Royal College of Art est un artiste et designer dont la pratique se fonde autant sur son exp\u00e9rience en tant que graphiste qu\u2019elle se nourrit, entre autres, de son int\u00e9r\u00eat pour l\u2019art conceptuel des ann\u00e9es 1960. Souvent r\u00e9flexive, son approche hybride et multidisciplinaire est emprunte d\u2019humour, d\u2019ing\u00e9niosit\u00e9, de go\u00fbt pour les classifications, portant un regard critique sur des situations visuellement contradictoires ou paradoxales. Nombre de ses projets sollicitent la participation des autres, suscitant collaborations et situations d’\u00e9change, en proposant par exemple des \u00ab\u00a0mod\u00e8les\u00a0\u00bb \u00e0 compl\u00e9ter, ou des structures laiss\u00e9e vides. C’est le cas d’Indexhibit<\/a>, un mod\u00e8le de site web\/portfolio dont il est co initiateur avec Jeffery Vaska, et utilis\u00e9 par un nombre consid\u00e9rable d’artistes, designers, architectes et autres. Son propre site<\/a>, cr\u00e9\u00e9 avec cet outil, est pour lui \u00e0 la fois un lieu de cr\u00e9ation, un lieu d’exposition et une v\u00e9ritable archive en ligne. Une monographie consacr\u00e9e \u00e0 son travail, Imprint<\/i>, a \u00e9t\u00e9 publi\u00e9e en 2008 par Princeton Architectural Press.<\/p>\n

\u00c0 partir d\u2019une proposition de J\u00e9r\u00f4me Saint-Loubert Bi\u00e9, et gr\u00e2ce \u00e0 des \u00e9changes r\u00e9guliers avec l’artiste depuis octobre 2012, un groupe d’\u00e9tudiants en quatri\u00e8me ann\u00e9e a con\u00e7u avec l’artiste une pr\u00e9sentation in\u00e9dite de son travail qui prend la forme singuli\u00e8re d’une \u201cexposition individuelle de groupe\u201d. Les onze \u00e9tudiants ont chacun propos\u00e9 \u00e0 l’artiste de revisiter ou de r\u00e9actualiser un travail ou un ensemble de travaux pour l’occasion, ce qui a aussi \u00e9t\u00e9 d\u00e9clencheur de propositions enti\u00e8rement nouvelles, donnant lieu \u00e0 de nouvelles productions. Daniel Eatock aime en effet se saisir des situations, des hasards, des contraintes et des circonstances singuli\u00e8res, et revendique le fait de \u00ab\u00a0souvent changer d’avis pour faire un tour complet et revenir au point de d\u00e9part\u2026\u00a0\u00bb<\/p>\n

L’exposition sera imm\u00e9diatement suivie d’une publication con\u00e7ue en collaboration avec Daniel Eatock, intitul\u00e9e 26m2<\/sup><\/i>, disponible \u00e0 travers la plateforme d’impression \u00e0 la demande lulu.com<\/a>. Ce catalogue sera compos\u00e9 de 740 pages, le maximum propos\u00e9 par le service en ligne, ce qui repr\u00e9sente une surface totale de papier de quasiment 26 m2. Il rendra compte sp\u00e9cifiquement des projets d\u00e9velopp\u00e9s avec les \u00e9tudiants pour cette exposition et sera disponible au moment m\u00eame o\u00f9 celle ci fermera ses portes, le 6 juin.<\/p>\n

Exposition :<\/b> du 17 Mai au 6 Juin 2013
\n<\/b>Vernissage : <\/b>Jeudi 16 mai 2013, 18h30
\n<\/b>Finissage et lancement de la publication : <\/b>Jeudi 6 juin 2013, 18h00
\n<\/b>La Chaufferie, 5 rue de la Manufacture des Tabacs, Strasbourg<\/p>\n","protected":false},"excerpt":{"rendered":"

L’artiste britannique Daniel Eatock a \u00e9t\u00e9 invit\u00e9 par l’atelier de Communication graphique pour une r\u00e9sidence qui a donn\u00e9 lieu \u00e0 une conf\u00e9rence \/ performance le 21 mars, et se conclura par une exposition \u2013\u00a0la premi\u00e8re pr\u00e9sentation monographique de son travail en France \u2013, du 17 mai au 6 juin 2013 \u00e0 la Chaufferie, galerie de […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[70,69],"tags":[81,84,82],"yoast_head":"\nDaniel Eatock, exposition individuelle de groupe : \u201cOne Hundred and Forty Thousand and Four Hundred Seconds \/ 26 m2 \/ Title: _________ \/ Echo \/ 105 x 148 mm \/ daniel@eatock.com \/ NO SMOKING (thank you) \/ Once Upon a Time\u2026 \/ Actual Size \/ Utilitarian Poster Falling\u201d, avec Caroline Bluche, Margot Cannizzo, Louison Coulom, L\u00e9opoldine Charon, Mikl\u00f3s Ferencz, Marisol Godard, Alban Leven, Charlotte Parisse, Pedro Seromenho, Elsa Varin, Florian Veltman - 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