{"id":3027,"date":"2013-06-30T22:23:12","date_gmt":"2013-06-30T20:23:12","guid":{"rendered":"http:\/\/comgraph.hear.fr\/?p=3027"},"modified":"2014-10-30T18:45:39","modified_gmt":"2014-10-30T17:45:39","slug":"les-seuils-haegue-yang-ok-rm-strasbourg","status":"publish","type":"post","link":"https:\/\/comgraph.hear.fr\/surkrut\/2013\/06\/les-seuils-haegue-yang-ok-rm-strasbourg\/","title":{"rendered":"Les seuils de Haegue Yang et OK-RM \u00e0 Strasbourg"},"content":{"rendered":"

Des murs d’affiches, assez insolites, marquent les seuils des deux parties de l’exposition \u00c9quivoques<\/em> de Haegue Yang \u00e0 l’Aubette 1928 et\u00a0au Mus\u00e9e d’art moderne et contemporain de Strasbourg, dont la conception a \u00e9t\u00e9 assur\u00e9e par le studio de graphisme OK-RM<\/a>\u00a0(Oliver Knight et Rory McGrath), bas\u00e9 \u00e0 Londres, et qui signe \u00e9galement le catalogue, autre \u00ab\u00a0seuil\u00a0\u00bb permettant d’acc\u00e9der au travail particuli\u00e8rement investi graphiquement de cette artiste cor\u00e9enne n\u00e9e en 1971 et r\u00e9sidant \u00e0 Berlin et S\u00e9oul. Les graphistes ont \u00e9galement collabor\u00e9 avec elle pour la conception du papier peint de la salle introductive de la partie de l’exposition pr\u00e9sent\u00e9e au mus\u00e9e.<\/p>\n

\"Entr\u00e9e<\/a>

Entr\u00e9e de l’exposition de Haegue Yang au Mus\u00e9e d’art moderne et contemporain. Design : OK-RM.<\/p><\/div>\n

\"Entr\u00e9e<\/a>

Entr\u00e9e de l’exposition de Haegue Yang \u00e0 l’Aubette. Design : OK-RM.<\/p><\/div>\n\n\t\t

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\n\t\t\t\tAfficher la gallerie (7 images)\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n
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Haegue Yang,\u00a0\u00c9quivoques<\/em><\/strong>
\n<\/strong>Aubette 1928 et Mus\u00e9e d’art moderne et contemporain de Strasbourg
\n<\/strong>du 8 juin au 15 septembre 2013<\/strong><\/p>\n

Catalogue publi\u00e9 par les Mus\u00e9es de Strasbourg, collectif,\u00a0<\/strong>2013, 34 x 18 cm, 256 pages<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Des murs d’affiches, assez insolites, marquent les seuils des deux parties de l’exposition \u00c9quivoques de Haegue Yang \u00e0 l’Aubette 1928 et\u00a0au Mus\u00e9e d’art moderne et contemporain de Strasbourg, dont la conception a \u00e9t\u00e9 assur\u00e9e par le studio de graphisme OK-RM\u00a0(Oliver Knight et Rory McGrath), bas\u00e9 \u00e0 Londres, et qui signe \u00e9galement le catalogue, autre \u00ab\u00a0seuil\u00a0\u00bb […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[69],"tags":[81,253,84,82],"yoast_head":"\nLes seuils de Haegue Yang et OK-RM \u00e0 Strasbourg - S\u00fcrkr\u00fct<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/comgraph.hear.fr\/surkrut\/2013\/06\/les-seuils-haegue-yang-ok-rm-strasbourg\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Les seuils de Haegue Yang et OK-RM \u00e0 Strasbourg - 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