{"id":5265,"date":"2014-02-20T18:11:22","date_gmt":"2014-02-20T17:11:22","guid":{"rendered":"http:\/\/comgraph.hear.fr\/?p=5265"},"modified":"2014-02-20T18:13:43","modified_gmt":"2014-02-20T17:13:43","slug":"arabic-telephone","status":"publish","type":"post","link":"https:\/\/comgraph.hear.fr\/surkrut\/2014\/02\/arabic-telephone\/","title":{"rendered":"Arabic Telephone"},"content":{"rendered":"

Cr\u00e9er du contenu al\u00e9atoire, c\u2019est la mission que l\u2019on s\u2019est donn\u00e9e avec Frederik Karl Sholz, un \u00e9tudiant Allemand rencontr\u00e9 \u00e0 J\u00e9rusalem pendant mon s\u00e9jour pass\u00e9 en Isra\u00ebl.<\/p>\n

Le but initial \u00e9tait de r\u00e9fl\u00e9chir \u00e0 un protocole de documentation de notre voyage qui d\u00e9passe la fronti\u00e8re du langage et des diff\u00e9rences culturelles auxquelles nous \u00e9tions confront\u00e9s.
\nL\u2019anglais que je ma\u00eetrisais mal \u00e0 mon arriv\u00e9e rendait la communication difficile et nous voulions \u00e9viter de sombrer dans une description na\u00efve d\u2019un pays marqu\u00e9 par ses nombreuses influences culturelles, son histoire complexe et sa situation politique mondialement m\u00e9diatis\u00e9e.<\/p>\n

A l\u2019inverse, notre point de vue de touristes fascin\u00e9s par les diff\u00e9rentes coutumes et autres langages graphiques manquait d\u2019un v\u00e9ritable int\u00e9r\u00eat. Il ne s\u2019agissait pas de faire un \u00e9ni\u00e8me journal de voyage d\u00e9crivant autant d\u2019images st\u00e9r\u00e9otyp\u00e9es d\u2019Isra\u00ebl : Le mur des lamentations, l\u2019alphabet h\u00e9bra\u00efque, le costume traditionnel des juifs orthodoxes\u2026<\/p>\n

Il fallait jouer. Cr\u00e9er une r\u00e8gle qui nous force \u00e0 fournir de la mati\u00e8re sans r\u00e9ellement la ma\u00eetriser. Avoir un automatisme assez excitant qui nous permette de voir le projet s\u2019\u00e9toffer et s\u2019engager dans une direction inattendue.<\/p>\n

Voici Arabic Telephone<\/a>.<\/p>\n\n\t\t

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\n\t\t\t\tAfficher la gallerie (3 images)\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n
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\u201cArabic Telephone\u201d est la traduction litt\u00e9rale du c\u00e9l\u00e8bre jeu du t\u00e9l\u00e9phone arabe dont la r\u00e8gle consiste \u00e0 faire passer un message par le bouche \u00e0 oreille en esp\u00e9rant que la phrase finale restera inchang\u00e9e. G\u00e9n\u00e9ralement, l’interpr\u00e9tation du message modifie sa sonorit\u00e9 et sa signification jusqu\u2019\u00e0 ce qu\u2019elle devienne une phrase compl\u00e8tement diff\u00e9rente.
\nFrederik et moi nous sommes fix\u00e9s une r\u00e8gle \u00e0 peu pr\u00e8s similaire. Quelqu\u2019un poste une photographie accompagn\u00e9e d\u2019un court commentaire, et l\u2019autre y r\u00e9pond de la m\u00eame mani\u00e8re. L\u2019interpr\u00e9tation est libre. Elle peut \u00eatre purement graphique, faire un \u00e9cho musical et rythmique \u00e0 la phrase pr\u00e9c\u00e9dente, tenter de cr\u00e9er une narration fictive ou m\u00eame cr\u00e9er une rupture totale.
\nCes questions\/r\u00e9ponses s\u2019organisent en diff\u00e9rentes piles, qui commencent et finissent selon nos inspirations.<\/p>\n

Nous avons utilis\u00e9 le site Arabic telephone comme un outil de r\u00e9colte de contenus plus ou moins al\u00e9atoires. Assez vite, nous \u00e9tions surpris de voir comment chaque pile poss\u00e8de sa propre atmosph\u00e8re narrative \u00e0 la mani\u00e8re d\u2019un cadavre exquis. Au bout de quelques r\u00e9ponses, l\u2019histoire prend forme, certains personnages apparaissent et le texte devient musical et po\u00e9tique.<\/p>\n

\u201cI still didn\u2019t understand the meaning of Arabic Telphone\u201d nous a dit une autre \u00e9tudiante rencontr\u00e9 l\u00e0-bas. Ces conversations et r\u00e9flexions s\u2019adressent \u00e0 nous et pour nous. Il y a peu de chance qu\u2019un lecteur saisisse chaque r\u00e9f\u00e9rence entre Frederik et moi.
\nAinsi, nous avons souhait\u00e9 faire \u00e9voluer le projet dans une forme plus accessible \u00e0 la lecture en concevant une s\u00e9rie d\u2019\u00e9ditions qui reprend la mati\u00e8re r\u00e9colt\u00e9e sur le site.<\/p>\n

Cette version papier s\u2019appelle \u201cPile\u201d suivie du num\u00e9ro de la pile qu\u2019elle concerne. La couverture comprend le texte s\u00e9par\u00e9 de l\u2019image, comme un po\u00e8me introductif de l\u2019histoire qui va \u00eatre cont\u00e9e. A l’int\u00e9rieur, nous avons plac\u00e9 les photographies en pleine pages. Chaque double page pr\u00e9sente la moiti\u00e9 d\u2019une photo qui se confronte \u00e0 la moiti\u00e9 de la suivante. Il est possible de d\u00e9plier chaque page pour voir la photographie en entier.
\nPour reprendre l\u2019id\u00e9e d\u2019images superpos\u00e9es (les fameuses \u00ab piles \u00bb), chaque page est d\u00e9cal\u00e9e d\u2019un centim\u00e8tre en vertical afin qu\u2019une double page d\u00e9voile 4 images qui se suivent.<\/p>\n\n\t\t

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\n\t\t\t\tAfficher la gallerie (5 images)\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n
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Au milieu des \u00e9ditions, nous avons ins\u00e9r\u00e9 un dialogue entre nous deux. Il s\u2019agit d\u2019une discussion autour du projet, de descriptions plus d\u00e9taill\u00e9es de chaque photographie et d\u2019anecdotes diverses et vari\u00e9es autour des lieux et personnages pr\u00e9sents. Ce texte donne au lecteur un degr\u00e9 de compr\u00e9hension sup\u00e9rieur en reprenant ce syst\u00e8me de dialogue non sc\u00e9naris\u00e9, moteur et cr\u00e9ateur de notre contenu.<\/p>\n\n\t\t

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<\/a><\/div><\/a>\n\t\t\t\n\t\t\t\t
\n\t\t\t\tAfficher la gallerie (2 images)\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n
<\/div>\n\n","protected":false},"excerpt":{"rendered":"

Cr\u00e9er du contenu al\u00e9atoire, c\u2019est la mission que l\u2019on s\u2019est donn\u00e9e avec Frederik Karl Sholz, un \u00e9tudiant Allemand rencontr\u00e9 \u00e0 J\u00e9rusalem pendant mon s\u00e9jour pass\u00e9 en Isra\u00ebl. Le but initial \u00e9tait de r\u00e9fl\u00e9chir \u00e0 un protocole de documentation de notre voyage qui d\u00e9passe la fronti\u00e8re du langage et des diff\u00e9rences culturelles auxquelles nous \u00e9tions confront\u00e9s. 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