{"id":5446,"date":"2014-04-03T19:58:19","date_gmt":"2014-04-03T17:58:19","guid":{"rendered":"http:\/\/comgraph.hear.fr\/?p=5446"},"modified":"2014-04-03T20:08:26","modified_gmt":"2014-04-03T18:08:26","slug":"lets-type-seminaire-de-typographie-a-lesal-de-metz","status":"publish","type":"post","link":"https:\/\/comgraph.hear.fr\/surkrut\/2014\/04\/lets-type-seminaire-de-typographie-a-lesal-de-metz\/","title":{"rendered":"\u201cLet’s Type\u201d – S\u00e9minaire de typographie \u00e0 l’ESAL de Metz"},"content":{"rendered":"

\"IMG_5540rec\"<\/p>\n

Let\u2019s Type<\/em> est un s\u00e9minaire international de typographie qui s\u2019est tenu \u00e0 l\u2019\u00c9cole Sup\u00e9rieure d\u2019Art de Lorraine (\u00c9SAL), Metz, le jeudi 20 f\u00e9vrier 2014. Il a fait suite \u00e0 l\u2019atelier intensif de dessin de la famille de caract\u00e8res Messine encadr\u00e9 par Alejandro Lo Celso, typographe argentin, et J\u00e9r\u00f4me Knebusch, typographe et enseignant \u00e0 l\u2019\u00c9SAL et \u00e0 l\u2019Atelier National de Recherche Typographique (ANRT) qui a eu lieu du 13 au 19 f\u00e9vrier 2014.\u00a0Consacr\u00e9 \u00e0 la transmission et \u00e0 l\u2019enseignement du design de caract\u00e8res typographiques, Let\u2019s Type a rassembl\u00e9 des enseignants, tous dessinateurs de caract\u00e8res, venus d\u2019Am\u00e9rique Latine, de Turquie, d\u2019Allemagne et de France.<\/p>\n

Le s\u00e9minaire a d\u00e9but\u00e9 le matin par une conf\u00e9rence d\u2019Onur Yazicigil sur la culture typographique latine en Turquie. Professeur \u00e0 l\u2019universit\u00e9 Sabanci \u00e0 Istanbul, co-cr\u00e9ateur de ISType, s\u00e9minaires internationaux de typographie \u00e0 Istanbul, et membre du conseil de l\u2019ATypI (Association Typographique Internationale), Onur Yazicigil a pr\u00e9sent\u00e9 le passage tr\u00e8s soudain de l\u2019alphabet arabe vers l\u2019alphabet latin en Turquie. Ce changement a marqu\u00e9 l\u2019histoire de la typographie et a fortement influenc\u00e9 l\u2019enseignement de l\u2019\u00e9criture et du dessin de caract\u00e8res comme nous les connaissons aujourd’hui.<\/p>\n

\"IMG_6008\"<\/p>\n

La seconde intervention \u00e9tait celle d\u2019Alejandro Lo Celso, dessinateur de caract\u00e8res, enseignant et intervenant au sein du master en design typographique de Centro Gestalt \u00e0 Veracruz au Mexique et au sein du post-master en type design \u00e0 l\u2019Universit\u00e9 de Buenos Aires en Argentine. Il est \u00e9galement le cr\u00e9ateur de la premi\u00e8re fonderie Argentine de caract\u00e8res typographiques, PampaType. \u00c0 l’occasion de l’\u00e9v\u00e9nement \u201cLet’s Type\u201d \u00e0 l\u2019\u00c9SAL, il a pr\u00e9sent\u00e9 diverses exp\u00e9riences acquises de l\u2019enseignement de la typographie et du dessin de caract\u00e8res en Am\u00e9rique latine. Il a \u00e9galement supervis\u00e9 l\u2019atelier de travail intensif sur le dessin de la famille de caract\u00e8res Messine avec les \u00e9tudiants de l\u2019\u00e9cole de Metz.<\/p>\n

\"IMG_6012\"<\/a><\/p>\n

L’apr\u00e8s-midi a d\u00e9but\u00e9 par une conf\u00e9rence de Johannes Bergerhausen, dessinateur de caract\u00e8res, professeur et co-fondateur de l\u2019Institut Designlabor Gutenberg (IDG) \u00e0 Mayence en Allemagne. Lors de son intervention, Johannes Bergerhausen a pr\u00e9sent\u00e9 l\u2019IDG, un d\u00e9partement de l\u2019Universit\u00e9 de Sciences appliqu\u00e9es de Mayence qui tente d\u2019explorer la notion de recherche en communication visuelle et typographie. L\u2019institut a re\u00e7u entre autres, Stefan Sagmeister, Erik Spiekermann, Ruedi Baur ou encore Peter Bil\u2019ak et organise r\u00e9guli\u00e8rement diverses expositions autour de la typographie. Il a \u00e9galement publi\u00e9 des ouvrages traitant du design graphique et du dessin de caract\u00e8res sur lesquels les \u00e9tudiants de l\u2019institut ont pu travaill\u00e9. Johannes Bergerhausen a \u00e9galement pr\u00e9sent\u00e9 en d\u00e9tail le projet Decodeunicode qui tente de rendre accessible \u00e0 tous le plus grand nombre de syst\u00e8mes d\u2019\u00e9criture du monde. Il travaille actuellement sur un caract\u00e8re num\u00e9rique cun\u00e9iforme avec 1063 glyphes qui para\u00eetra en 2014.<\/p>\n

Les \u00e9tudiants de l\u2019\u00c9SAL ont ensuite pr\u00e9sent\u00e9 le travail effectu\u00e9 lors des trois ateliers intensifs supervis\u00e9s par leur enseignant J\u00e9r\u00f4me Knebusch et Alejandro Lo Celso. Cet atelier a permis \u00e0 des \u00e9l\u00e8ves de diff\u00e9rentes promotions de travailler sur le projet de la Messine, une famille de caract\u00e8res dessin\u00e9e sp\u00e9cifiquement pour l\u2019\u00c9SAL.<\/p>\n

La journ\u00e9e s\u2019est termin\u00e9e par une table ronde avec les conf\u00e9renciers du s\u00e9minaire rejoins par Thomas Huot-Marchand, designer graphique, typographe, enseignant et directeur de l\u2019ANRT, Alice Savoie, dessinatrice de caract\u00e8res et enseignante \u00e0 l\u2019ANRT ainsi qu\u2019\u00e0 l\u2019\u00c9SAD d\u2019Amiens, et Elamine Maecha, designer graphique, typographe et enseignant \u00e0 l\u2019\u00c9SAL. Au court de cette table ronde, les intervenants ont r\u00e9pondu aux questions pos\u00e9es autour de leur travail de typographe et celui d\u2019enseignant, ou encore \u00e0 des questions concernant l\u2019enseignement de la typographie au sein des \u00e9coles d\u2019arts.<\/p>\n","protected":false},"excerpt":{"rendered":"

Let\u2019s Type est un s\u00e9minaire international de typographie qui s\u2019est tenu \u00e0 l\u2019\u00c9cole Sup\u00e9rieure d\u2019Art de Lorraine (\u00c9SAL), Metz, le jeudi 20 f\u00e9vrier 2014. Il a fait suite \u00e0 l\u2019atelier intensif de dessin de la famille de caract\u00e8res Messine encadr\u00e9 par Alejandro Lo Celso, typographe argentin, et J\u00e9r\u00f4me Knebusch, typographe et enseignant \u00e0 l\u2019\u00c9SAL et […]<\/p>\n","protected":false},"author":91,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[69],"tags":[],"yoast_head":"\n\u201cLet's Type\u201d - S\u00e9minaire de typographie \u00e0 l'ESAL de Metz - S\u00fcrkr\u00fct<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/comgraph.hear.fr\/surkrut\/2014\/04\/lets-type-seminaire-de-typographie-a-lesal-de-metz\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cLet's Type\u201d - S\u00e9minaire de typographie \u00e0 l'ESAL de Metz - S\u00fcrkr\u00fct\" \/>\n<meta property=\"og:description\" content=\"Let\u2019s Type est un s\u00e9minaire international de typographie qui s\u2019est tenu \u00e0 l\u2019\u00c9cole Sup\u00e9rieure d\u2019Art de Lorraine (\u00c9SAL), Metz, le jeudi 20 f\u00e9vrier 2014. 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