{"id":6719,"date":"2015-03-26T16:59:31","date_gmt":"2015-03-26T15:59:31","guid":{"rendered":"http:\/\/comgraph.hear.fr\/?p=6719"},"modified":"2015-03-26T16:59:48","modified_gmt":"2015-03-26T15:59:48","slug":"critical-political-hans-rudolf-lutz-1939-1998-swiss-typographer-author-designer-publisher-collector-visual-director-teacher","status":"publish","type":"post","link":"https:\/\/comgraph.hear.fr\/surkrut\/2015\/03\/critical-political-hans-rudolf-lutz-1939-1998-swiss-typographer-author-designer-publisher-collector-visual-director-teacher\/","title":{"rendered":"Critical \u2013 political \u2013 Hans-Rudolf Lutz (1939 \u2013 1998), Swiss Typographer, Author, Designer, Publisher, Collector, Visual Director, Teacher"},"content":{"rendered":"

Conf\u00e9rence (en anglais) de Tania Prill et Sebastian Cremers<\/p>\n

\"Affiche<\/a>

Affiche de Kenza Boukeroui et Josu\u00e9 Graesslin, atelier de Communication graphique de la Hear.<\/p><\/div>\n

Hans-Rudolf Lutz a \u00e9t\u00e9 form\u00e9 \u00e0 B\u00e2le par Emil Ruder et Robert B\u00fcchler. Il a publi\u00e9, \u00e9crit, illustr\u00e9 et produit des livres sur l’art et le langage de la communication visuelle. Son travail a influenc\u00e9 la mani\u00e8re dont le graphisme et la typographie r\u00e9agissent en fonction des changements culturels et sociaux. Sebastian Cremers et Tania Prill pr\u00e9senteront une s\u00e9lection de son travail, ainsi que leur r\u00e9\u00e9dition de la publication The Miami Herald et leur dernier livre 336 pages 336 books.<\/p>\n

\"Hans-Rudolf<\/a>

Hans-Rudolf Lutz, vers 1965.<\/p><\/div>\n

\"D\u00e9tail<\/a>

D\u00e9tail du livre de Hans-Rudolf Lutz \u00ab\u00a0Die Hieroglyphen von heute\u00a0\u00bb, 1990<\/p><\/div>\n

Tania Prill a fond\u00e9 en 2010 avec Alberto Vieceli le studio de design graphique Prill & Vieceli (aujourd’hui Prill Vieceli Cremers). Son travail a notamment \u00e9t\u00e9 r\u00e9compens\u00e9 par le Prix Jan Tschichold, et au Concours suisse de design. Tania Prill enseigne le graphisme depuis 1996 dans diff\u00e9rentes \u00e9coles en Suisse et \u00e0 l’\u00e9tranger. Elle est professeur de typographie \u00e0 l’universit\u00e9 d’art et de design de Br\u00eame et y dirige avec Samuel Nyholm le master \u201dFrom Aleph to Eternity\u201c. Elle a \u00e9t\u00e9 mari\u00e9e \u00e0 Hans-Rudolh Lutz, dont elle g\u00e8re le fonds et les archives.<\/p>\n

Sebastian Cremers a \u00e9tudi\u00e9 le design graphique \u00e0 la Rietveld Academie et enseigne \u00e0 Zurich et \u00e0 l’\u00e9tranger. Associ\u00e9 du studio Prill Vieceli Cremers depuis 2010, il a fond\u00e9 en 2012 la plateforme \u00e9ditoriale \u201cevery edition\u201c.<\/p>\n

——<\/p>\n

Hans-Rudolf Lutz studied in Basel under Emil Ruder and Robert B\u00fcchler. He edited, wrote, illustrated and produced books about visual communication art and language. His body of work influenced the awareness how typography and communication design react upon social and cultural changes. Besides a selection of his work, Sebastian Cremers and Tania Prill are going to present their reissue of the publication The Miami Herald and their latest book 336 pages 336 books.<\/p>\n

In 2010 Tania Prill founded the Swiss design studio Prill & Vieceli (now: Prill Vieceli Cremers) together with Alberto Vieceli. Her works have been awarded with the Jan Tschichold Preis and the Swiss Design Award amongst others. Since 1996 Tania Prill teaches communication design at universities in Switzerland and abroad. She is professor of typography at the University of Arts and Design Bremen and runs the MA-Studio \u201dFrom Aleph to Eternity\u201c together with Samuel Nyholm. She was married to Hans-Rudolf Lutz and takes care of his estate.<\/p>\n

Sebastian Cremers studied design at the Rietveld Academie and teaches communication design in Zurich and abroad. Since 2010 partner of the Swiss design studio Prill Vieceli Cremers. 2012 he founded the publishing platform \u201cevery edition\u201c.<\/p>\n

—
\n\u201ccritical \u2013 political \u2013 Hans-Rudolf Lutz (1939 \u2013 1998), Swiss Typographer, Author, Designer, Publisher, Collector, Visual Director, Teacher.\u201d Jeudi 26 mars 2015, 18 heures, auditorium de la Hear (Strasbourg)<\/strong><\/p>\n

PrillViceliCremers
\n<\/a>Verlag Hans-Rudolf Lutz
\n<\/a>everyedition<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Conf\u00e9rence (en anglais) de Tania Prill et Sebastian Cremers Hans-Rudolf Lutz a \u00e9t\u00e9 form\u00e9 \u00e0 B\u00e2le par Emil Ruder et Robert B\u00fcchler. Il a publi\u00e9, \u00e9crit, illustr\u00e9 et produit des livres sur l’art et le langage de la communication visuelle. Son travail a influenc\u00e9 la mani\u00e8re dont le graphisme et la typographie r\u00e9agissent en fonction […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[69],"tags":[86,80,82,94],"yoast_head":"\nCritical \u2013 political \u2013 Hans-Rudolf Lutz (1939 \u2013 1998), Swiss Typographer, Author, Designer, Publisher, Collector, Visual Director, Teacher - S\u00fcrkr\u00fct<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/comgraph.hear.fr\/surkrut\/2015\/03\/critical-political-hans-rudolf-lutz-1939-1998-swiss-typographer-author-designer-publisher-collector-visual-director-teacher\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Critical \u2013 political \u2013 Hans-Rudolf Lutz (1939 \u2013 1998), Swiss Typographer, Author, Designer, Publisher, Collector, Visual Director, Teacher - S\u00fcrkr\u00fct\" \/>\n<meta property=\"og:description\" content=\"Conf\u00e9rence (en anglais) de Tania Prill et Sebastian Cremers Hans-Rudolf Lutz a \u00e9t\u00e9 form\u00e9 \u00e0 B\u00e2le par Emil Ruder et Robert B\u00fcchler. 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