{"id":7458,"date":"2016-04-22T13:53:35","date_gmt":"2016-04-22T11:53:35","guid":{"rendered":"http:\/\/comgraph.hear.fr\/?p=7458"},"modified":"2016-10-07T13:20:44","modified_gmt":"2016-10-07T11:20:44","slug":"emilie-rigaud","status":"publish","type":"post","link":"https:\/\/comgraph.hear.fr\/surkrut\/2016\/04\/emilie-rigaud\/","title":{"rendered":"\u00c9milie Rigaud, \u00ab\u00a0s’\u00e9chapper du cadre\u00a0\u00bb"},"content":{"rendered":"

\u00c9milie Rigaud est graphiste et dessinatrice de caract\u00e8res depuis 2009. Form\u00e9e \u00e0 l’\u00c9cole nationale sup\u00e9rieure des Arts d\u00e9coratifs\u00a0et \u00e0 l’universit\u00e9 de Reading, elle enseigne \u00e0 son tour depuis 2013 \u00e0 l’ANRT et a dirig\u00e9 plusieurs workshops \u00e0 Paris et \u00e0 Reims.<\/p>\n

Lors d’une conf\u00e9rence tenue d\u00e9but f\u00e9vrier au Lieu du design<\/a> \u00e0 Paris, elle nous raconte son parcours et ses m\u00e9thodes de travail \u00e0 travers la pr\u00e9sentation de quelques caract\u00e8res.<\/p>\n

Coline – \u00ab\u00a0Perdre son temps\u00a0\u00bb<\/strong><\/p>\n

En 2009, encore \u00e9tudiante \u00e0 l’universit\u00e9 de Reading, \u00c9milie Rigaud se consacre \u00e0 l’\u00e9laboration d’un caract\u00e8re pour livre de petit format. Les conditions de production des livres de poche sont d\u00e9terminantes dans la cr\u00e9ation du caract\u00e8re : il doit \u00eatre robuste, compact pour gagner de la place et rester lisible m\u00eame sur un papier bas de gamme ou imprim\u00e9 avec de l’encre qui ne tient pas.<\/p>\n

En \u00e9tudiant les publications \u00abpoche\u00bb des quarante derni\u00e8res ann\u00e9es, Rigaud constate que seulement cinq typographies diff\u00e9rentes sont utilis\u00e9es et qu’aucune n’est vraiment adapt\u00e9e \u00e0 la t\u00e2che. Elle a donc cr\u00e9\u00e9\u00a0une typographie sp\u00e9cifiquement pens\u00e9e pour les petits corps et les livres de poche, plus accessibles aux \u00e9tudiants comme elle pour qui la lecture reste parfois un luxe.<\/p>\n

\"coline_14_famille\"<\/a><\/p>\n

 <\/p>\n

Le dessin est extr\u00eamement important dans le processus de cr\u00e9ation : les formes sont dessin\u00e9es, retravaill\u00e9es, photocopi\u00e9es mille fois, agrandies, d\u00e9coup\u00e9es, coll\u00e9es, puis redessin\u00e9es encore. L’ordinateur arrive assez tard, il sert, en quelque sorte, \u00e0 harmoniser les lettres entre elles et affiner les formes d\u00e9j\u00e0 pos\u00e9es sur le papier. Comme beaucoup de dessinateurs de caract\u00e8res, Rigaud apparente son travail \u00e0 de la sculpture : elle taille dans la mati\u00e8re pour en faire sortir angles, courbes et contreformes. Le dessin \u00e0 la main apporte la tension n\u00e9cessaire \u00e0 la tenue de la lettre.<\/p>\n\n\t\t

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<\/a><\/div><\/a><\/a><\/a><\/a>\n\t\t\t\n\t\t\t\t
\n\t\t\t\tAfficher la gallerie (5 images)\n\t\t\t\t<\/div>\n\t\t\t<\/div>\n
<\/div>\n\n

Le romain et l’italique sont ici consid\u00e9r\u00e9s comme deux styles diff\u00e9rents et pas seulement une d\u00e9clinaison l’un de l’autre. L’italique n’est pas qu’un romain inclin\u00e9, le dessin des lettres est compl\u00e8tement diff\u00e9rent.<\/p>\n

Coline comprend ainsi trois \u00e9tapes d’\u00e9volution : Coline Premi\u00e8re, Coline Cursive et Coline Extr\u00eame, chacune disponible en plusieurs graisses. Coline Premi\u00e8re est la plus classique, celle que l’on pourrait apparenter au romain ; Coline Cursive a des angles plus marqu\u00e9s, les attaques et sorties de lettre se font obliques ; Coline Extr\u00eame, elle, s’approche le plus d’une \u00e9criture manuscrite : les f\u00fbts ne sont plus droits, les attaques et les sorties de lettres s’envolent encore un peu plus, les contreformes, plus \u00e9troites, sont \u00e9galement plus visibles. De Premi\u00e8re \u00e0 Extr\u00eame, c’est le geste qui se donne \u00e0 voir.<\/p>\n

 <\/p>\n

\"coline_08_rythm\"<\/a><\/p>\n

 <\/p>\n

\"coline_10_rythm\"<\/a><\/p>\n

A is for…<\/strong><\/p>\n

En sortant de l’\u00e9cole, \u00c9milie Rigaud cr\u00e9e sa propre fonderie, A is for…, qui a pour vocation de pr\u00e9senter des caract\u00e8res qui allient pr\u00e9cision typographique et lisibilit\u00e9 avec des d\u00e9tails int\u00e9ressants. En 2010 elle cr\u00e9e Grotesque, revival d’un caract\u00e8re de 1880 qui sera utilis\u00e9 par la suite pour la signal\u00e9tique de l’ENSAD. Elle diffuse le BTP en 2011, un caract\u00e8re cr\u00e9\u00e9 par Jeremy Perrodeau et Guillaume Grall, inspir\u00e9 du logiciel AutoCAD et de ses lignes bris\u00e9es.<\/p>\n

\u00c9milie cr\u00e9e des caract\u00e8res pour que \u00ables gens les utilisent de fa\u00e7on inattendue\u00bb. Par exemple Jaakko, caract\u00e8re vernaculaire issu d’un manuel finlandais a \u00e9t\u00e9 adopt\u00e9 par un magasine de surf.
\n\u00c9milie Rigaud travaille autant sur des caract\u00e8res de commande que sur des projets autonomes. Parfois, une simple mise \u00e0 jour de maquette donne lieu \u00e0 la cr\u00e9ation d’un caract\u00e8re sp\u00e9cifique qui est ensuite d\u00e9clin\u00e9 et redessine toute l’identit\u00e9 visuelle de la soci\u00e9t\u00e9.<\/p>\n

Son travail est visible sur son site internet<\/a> ainsi que sur A is for…<\/a>.<\/p>\n

Toutes les images sont issues de www.aisforapple.fr<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c9milie Rigaud est graphiste et dessinatrice de caract\u00e8res depuis 2009. Form\u00e9e \u00e0 l’\u00c9cole nationale sup\u00e9rieure des Arts d\u00e9coratifs\u00a0et \u00e0 l’universit\u00e9 de Reading, elle enseigne \u00e0 son tour depuis 2013 \u00e0 l’ANRT et a dirig\u00e9 plusieurs workshops \u00e0 Paris et \u00e0 Reims. Lors d’une conf\u00e9rence tenue d\u00e9but f\u00e9vrier au Lieu du design \u00e0 Paris, elle nous […]<\/p>\n","protected":false},"author":124,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[69],"tags":[],"yoast_head":"\n\u00c9milie Rigaud, "s'\u00e9chapper du cadre" - S\u00fcrkr\u00fct<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/comgraph.hear.fr\/surkrut\/2016\/04\/emilie-rigaud\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00c9milie Rigaud, "s'\u00e9chapper du cadre" - S\u00fcrkr\u00fct\" \/>\n<meta property=\"og:description\" content=\"\u00c9milie Rigaud est graphiste et dessinatrice de caract\u00e8res depuis 2009. 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